Words, Wonderful Words…

Trinity-College-Library-in-Dublin-1Every now and then I pontificate on the power and magic of words. Those twenty-six little letters have faithfully served us ever since “Adam” said Ugg to “Eve.” And, in what variety! True and Fairy tales… Sci-Fi and Paranormal, Murder and Mystery, Love and Romance, Historical, et al – all cater to different literary tastes.

Milne 3What led to writing today’s post was reading about Alan Alexander Milne and his Pooh stories. The House on Pooh Corner (1928), and Winnie the Pooh in particular. Without Milne, Pooh, Piglet, Tigger and the rest of the gang, would have been lost to so many fans. Christopher Robin, Pooh’s human companion, was named after Milne’s own son. Sadly, Christopher was not happy about his inescapable connection to the popular books as he grew older. Winnie the Pooh was based on his teddy bear. Also on his infant bed, were a stuffed piglet, a tiger, a pair of kangaroos and a downtrodden donkey. (Owl and Rabbit were added for good measure.) Hundred Acre Wood closely resembles Ashdown Forest near to Milne’s home.

Milne went to Cambridge University to study maths but focused on writing. He pursued a career as a writer and contributed many humorous pieces to Punch magazine, later becoming Assistant Editor at Punch in 1906. Having served in WW11, despite being a Pacifist, he suffered illness and was declared unfit for service at the front, going on to join a secret British Propaganda unit: M17b. He also turned to playwriting. Deemed successful, he changed Wind in the Willows into the acclaimed Toad at Toad Hall.

winnie 2It seems especially sad that Milne was estranged from his son, Christopher, who rarely saw his father, despite him having a stroke and spending his last few years in a wheelchair. He was ever conscious of his disliked association with the Pooh books. I feel it was his great loss.

When I read the Pooh books, way back, I knew nothing of their creator, but re-quoting some of the content, I can’t help thinking he was a man with his heart in the right place.

I had the warmest glow, when I read:

“My spelling is wobbly. It’s good spelling. But it wobbles and the letters get in the wrong places.”

And “A day without a friend is like a pot without a single drop of honey inside.” And

“I always get to where I’m going by walking away from where I have been.” And

“We’ll be friends forever, won’t we, Pooh?” asked Piglet.

“Even longer.” Pooh answered.

pooh and piglet 2And, this one made me cry…

“If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you.”

Thank you Mr. Milne. Very much!

 
Other books by AA Milne: When we Were very Young, Now we are Six, The World of Pooh Collection, The Complete Tales of Winnie the Pooh.

© Copyright Joy Lennick 2020

Nature’s Pen

rose-113735_640

Nature has written a worthy essay

on the barren face of the soil.

Put hope in the hearts

and smiles on the lips

of those who sweat and toil.

 

Verdant exclamation marks,

paragraphs of green –

the sky a beauteous back-cloth

on which the words can lean.

 

Clustered, scented flowers,

the wonder of a rose –

all these and more combine to make

the very essence of its prose.

 

© Joy Lennick 2018

 

 

The aftermath of 9/11

FILE PHOTO: Flowers cover the names of victims of  September 11 at the Memorial & Museum at the World Trade Center site in New York

No ‘Phoenix from the ashes,’

they were birds of steel,

filled with hateful intentions:

two objects aimed to kill.

 

Long after eulogies were said:

guilt, anguish, recriminations soundly put to bed…

cherished memories floated on battered minds

that lifted the spirits and a kind

 

of healing process then began,

Dry-eyed, the well was spent –

a funny limerick was found…

a loving note he meant to send.

 

A breeze-borne waft of jasmine –

and she is there –

a burnished copper leaf

reminds you of her hair

 

A favourite walk, café, a tune…

memories held so dear.

You pray that time will not prune

too much and leave the futile fear

that one day the memory of their

earthly presence will all but disappear.

 

But fear not –

for while you still live,

in your heart loved ones live on too

and will always: forever, be a part of you.

 

© Joy Lennick 2018

Picture copyright: REUTERS/Brendan McDermid/File Photo

To Skype or not to Skype, that is the question

de caprio

The first message was explicit:

(I imagined him cock-sure and slick),

I giggled but quickly recovered,

got rid of him quick with a click…

 

I’m ‘spoken for’ and happily married,

and let’s face it I’m ‘over the hill…’

but it took me back decades of years,

provided an egotistical thrill.

 

‘Twas as if I’d sent out a photo,

‘doctored’ and faintly erotic,

where my boobs were in place,

and an unwrinkled face

suggested a jolly good frolic.

 

Dear reader, I’m totally innocent,

except for writing online;

don’t wear fancy drawers,

(prefer metaphors),

although the thought was sublime.

 

These days my pleasures are simple:

coffee on patio, pastry snack,

hot chocolate at night,

a book and ‘to write,’

not gymnastics in bed on my back.

 

What triggered this poem you may wonder,

I’ll tell you the truth – it’s a fact,

in twenty-four hours,

I was suddenly ‘showered’

by four ‘Generals, ‘ a ‘sir’ and a ‘hack.’

 

Of course most of ‘the others’

intentions were pure, white as snow,

but it’s safe to be wary,

and quite necessary,

for how is a woman to know?!

 

True fact: A while ago, I received no less than half a dozen requests to Skype with various gentlemen (?). Now, I’m fascinated by people, but appreciate that ‘online’ one has to be wary of who one is exchanging words with! I’m a push-over for lonely souls, so have to be ‘on guard,’ hence the above poem.

 

© Joy Lennick 2018

Picture © copyright replaceface.tumblr.com/

 

A labyrinth of meanings…

labyrinthEvery now and again, most writers come across – or have a fascination for – . a word which either has contrary meanings or some peculiar draw, don’t they? My word of the moment (and for a while now), is labyrinth. I’ve used it several times and thought I knew what it meant. Wrong! Well, it wasn’t completely incorrect, as many other writers have used it in the same way…I’ll explain… (Have your cocoa and slippers ready…)

Labyrinth is defined as meaning “A complicated, irregular network of passages or paths, in which it is difficult to find ones way.” Or “A complex structure of the inner ear.” (While, of course, interesting to anyone with ear problems, I’ll respectfully put the second definition to one side.) The Cambridge English dictionary, however, defines the meaning as being a tad different (and an aid to pen chewing scribblers, or unsure key tappers) It’s added boardwalk, esplanade, pavement and bridle path, etc., And, in Greek mythology, a labyrinthine structure was built underground to house and confine a monster with the head of a bull and the body of a man called a Minotaur, belonging to King Minos of Crete. (Although why he couldn’t have purchased a Persian Blue feline or a Cocker Spaniel, from the local pet-shop, goodness only knows…) Some people do like to muddy history, don’t they?!

I digress…The first time I used the word labyrinth. I was writing about Dylan Thomas and Laugharne, where he compòsed Under Milk Wood and a whole raft of poems. Being half Welsh, I was on yet another trip to one of my favourite places in Wales: the third. The sun had shone on all three occasions, which was noteworthy in itself…It was Spring, tra la, and the synonymous daffodils were nodding approval, lighting the edge of the estuary like a stage-set. My imagination was way ahead of me, as I walked up the steep – wait for it – “labyrinthine path, under a dense, and untidy umbrella of green foliage – darkly mysterious while beckoning…” Suddenly inspired, the story/novel was to be called The Herons of Laugharne and I even had them (the herons) “picking their delicate way across the shallow waters like corn-footed ballerinas” I had , roughly, mentally written the first chapter before I reached the top of the labyrinth…Sadly, it’s still lurking somewhere between other, forlorn, quarter/half-finished attempts…Hey ho.

Being satiated by everything Dylan – from the modest shed in which he slouched over lines of poetry for days, his trusty whisky bottle rarely far away, to the Boat House where he lived with his wife Caitlin. I moved on. I did wonder what else he could have written had he not succumbed to the ‘devil drink,’ dying at the early age of 39 after downing around ‘13’ shots of the hard stuff ’ in New York city, but he left us some memorable lines and characters. How, once read, could you forget the words

“Do not go gentle in that good night.

Old age should burn and rave at close of day.

Rage, rage against the dying of the light.”

 

One, WONDERFUL, book which did, most deservedly, see the light of day, written by Carlos Ruiz Zafon, is called THE SHADOW OF THE WIND, and – if you haven’t read it, please do. A man in Spain, who had inherited a book-shop from his father specializing in rare, collector’s editions and secondhand books, took his young son to the: ‘Cemetery of Forgotten Books’ and bade him choose any one from the thousands secreted there. “Pleased with my choice, I tucked it under my arm and retraced my steps through the LABYRINTH , a smile on my lips.” That word again. Zafon’s writing is an absolute delight, his characterisation memorable. Anyone who writes: “…a waiter of such remarkable decrepitude that he looked as if he should be declared a national landmark.” And “The man’s oratory could kill flies in mid-air.” passes muster with me. As time passes and the young lad grows up, people seem to find ‘the book’ inordinately interesting, and literary curiosity becomes a race to discover the truth behind the life and death of the author: Julian Carax, and to save those he left behind.

As the Observer observed: “The language purrs along. While the plot twists and unravels with a languid grace.” And Stephen King said: “…a novel full of cheesy splendour and creaking trapdoors, a novel where even the subplots have subplots…one gorgeous read!” There’s not much I can add to that.

 

© Joy Lennick 2017

 

On characterisation / a poem

Being human, all writers have strengths and weaknesses and enjoy/dislike different aspects of their craft. Plots and sub plots are, of course, vital, as is the balance between action, dialogue, description, etc., but, for me, one of my favourite tasks – or I should say joys – is endowing a character with a personality and physical image through description.

Jean Wilson, a writing colleague, who has now retired to Torquay in the UK, was a favoured member of a small group I take as group leader for the University of the Third Age, in Torrevieja, Spain. Here is her take on a certain man who helped people a short, brilliant, story, she wrote.

‘Harold was a person one endeavoured to avoid if at all possible. He was an intense, blustery man of somewhat large stature, which of itself failed to hide his poorly controlled thinking ability, rather like a failed computer made in a third world country, which hadn’t yet got its act together. He was certainly low in gigabytes, and wanting in RAM. One couldn’t be certain that the keys struck would register as expected and a whole load of input seemed to have no relation to its later output. Harold’s idea of taking a short-cut was to fall down the stairs; and his confidence in himself took no account of the extent of his limitations. Any unfortunate encounter with him left many people feeling immense hopelessness in the integrity of the workings of Nature. Here was a man who told everyone he was a born again Xtian. It didn’t occur to him that he hadn’t been one in the first place, but he liked the reaction it had and tapped one of those pleasure seeking nerves which made him feel good for the day, enjoying the illusion of people’s undivided attention.’

Thanks Jean.

And now, as light relief from the really terrible happenings on this precious, be-devilled planet of ours, is a poem.

Most long-term Facebook, Twitter and Skype users, now and then get odd messages…And when I started receiving several requests from ‘Generals’ to Skype them, it struck me as amusing and didn’t quite ring true. This led to the writing of a poem, which I hope will make you giggle or grin…

TO SKYPE OR NOT TO SKYPE, THAT IS THE QUESTION

The first message was explicit:
(I imagined him cock-sure and slick),
I giggled but quickly recovered,
got rid of him quick with a click.

I’m spoken for and happily married,
and let’s face it “over the hill…”
but it took me back decades of years,
provided an egotistical thrill.

‘Twas as if I’d sent out a photo,
doctored and faintly erotic:
where my boobs were “in place,”
and an unwrinkled face
suggested a jolly good frolic.

Dear reader I’m totally innocent,
except for writing on line;
don’t wear fancy drawers
(prefer metaphors)
although the thought was sublime.

These days my pleasures are simple:
coffee on patio, pastry snack,
hot chocolate at night,
a book and “to write,”
not gymnastics in bed on my back.

What triggered this poem you may wonder,
I’ll tell you the truth – it’s a fact,
in twenty-four hours
I was suddenly showered
by four Generals, a sir and a hack.

Of course most of “the others”
intentions were pure, white as snow,
but it’s safe to be wary
and quite necessary
for how is a woman to know?!