Archives

A labyrinth of meanings…

labyrinthEvery now and again, most writers come across – or have a fascination for – . a word which either has contrary meanings or some peculiar draw, don’t they? My word of the moment (and for a while now), is labyrinth. I’ve used it several times and thought I knew what it meant. Wrong! Well, it wasn’t completely incorrect, as many other writers have used it in the same way…I’ll explain… (Have your cocoa and slippers ready…)

Labyrinth is defined as meaning “A complicated, irregular network of passages or paths, in which it is difficult to find ones way.” Or “A complex structure of the inner ear.” (While, of course, interesting to anyone with ear problems, I’ll respectfully put the second definition to one side.) The Cambridge English dictionary, however, defines the meaning as being a tad different (and an aid to pen chewing scribblers, or unsure key tappers) It’s added boardwalk, esplanade, pavement and bridle path, etc., And, in Greek mythology, a labyrinthine structure was built underground to house and confine a monster with the head of a bull and the body of a man called a Minotaur, belonging to King Minos of Crete. (Although why he couldn’t have purchased a Persian Blue feline or a Cocker Spaniel, from the local pet-shop, goodness only knows…) Some people do like to muddy history, don’t they?!

I digress…The first time I used the word labyrinth. I was writing about Dylan Thomas and Laugharne, where he compòsed Under Milk Wood and a whole raft of poems. Being half Welsh, I was on yet another trip to one of my favourite places in Wales: the third. The sun had shone on all three occasions, which was noteworthy in itself…It was Spring, tra la, and the synonymous daffodils were nodding approval, lighting the edge of the estuary like a stage-set. My imagination was way ahead of me, as I walked up the steep – wait for it – “labyrinthine path, under a dense, and untidy umbrella of green foliage – darkly mysterious while beckoning…” Suddenly inspired, the story/novel was to be called The Herons of Laugharne and I even had them (the herons) “picking their delicate way across the shallow waters like corn-footed ballerinas” I had , roughly, mentally written the first chapter before I reached the top of the labyrinth…Sadly, it’s still lurking somewhere between other, forlorn, quarter/half-finished attempts…Hey ho.

Being satiated by everything Dylan – from the modest shed in which he slouched over lines of poetry for days, his trusty whisky bottle rarely far away, to the Boat House where he lived with his wife Caitlin. I moved on. I did wonder what else he could have written had he not succumbed to the ‘devil drink,’ dying at the early age of 39 after downing around ‘13’ shots of the hard stuff ’ in New York city, but he left us some memorable lines and characters. How, once read, could you forget the words

“Do not go gentle in that good night.

Old age should burn and rave at close of day.

Rage, rage against the dying of the light.”

 

One, WONDERFUL, book which did, most deservedly, see the light of day, written by Carlos Ruiz Zafon, is called THE SHADOW OF THE WIND, and – if you haven’t read it, please do. A man in Spain, who had inherited a book-shop from his father specializing in rare, collector’s editions and secondhand books, took his young son to the: ‘Cemetery of Forgotten Books’ and bade him choose any one from the thousands secreted there. “Pleased with my choice, I tucked it under my arm and retraced my steps through the LABYRINTH , a smile on my lips.” That word again. Zafon’s writing is an absolute delight, his characterisation memorable. Anyone who writes: “…a waiter of such remarkable decrepitude that he looked as if he should be declared a national landmark.” And “The man’s oratory could kill flies in mid-air.” passes muster with me. As time passes and the young lad grows up, people seem to find ‘the book’ inordinately interesting, and literary curiosity becomes a race to discover the truth behind the life and death of the author: Julian Carax, and to save those he left behind.

As the Observer observed: “The language purrs along. While the plot twists and unravels with a languid grace.” And Stephen King said: “…a novel full of cheesy splendour and creaking trapdoors, a novel where even the subplots have subplots…one gorgeous read!” There’s not much I can add to that.

 

© Joy Lennick 2017

 

Advertisements

On characterisation / a poem

Being human, all writers have strengths and weaknesses and enjoy/dislike different aspects of their craft. Plots and sub plots are, of course, vital, as is the balance between action, dialogue, description, etc., but, for me, one of my favourite tasks – or I should say joys – is endowing a character with a personality and physical image through description.

Jean Wilson, a writing colleague, who has now retired to Torquay in the UK, was a favoured member of a small group I take as group leader for the University of the Third Age, in Torrevieja, Spain. Here is her take on a certain man who helped people a short, brilliant, story, she wrote.

‘Harold was a person one endeavoured to avoid if at all possible. He was an intense, blustery man of somewhat large stature, which of itself failed to hide his poorly controlled thinking ability, rather like a failed computer made in a third world country, which hadn’t yet got its act together. He was certainly low in gigabytes, and wanting in RAM. One couldn’t be certain that the keys struck would register as expected and a whole load of input seemed to have no relation to its later output. Harold’s idea of taking a short-cut was to fall down the stairs; and his confidence in himself took no account of the extent of his limitations. Any unfortunate encounter with him left many people feeling immense hopelessness in the integrity of the workings of Nature. Here was a man who told everyone he was a born again Xtian. It didn’t occur to him that he hadn’t been one in the first place, but he liked the reaction it had and tapped one of those pleasure seeking nerves which made him feel good for the day, enjoying the illusion of people’s undivided attention.’

Thanks Jean.

And now, as light relief from the really terrible happenings on this precious, be-devilled planet of ours, is a poem.

Most long-term Facebook, Twitter and Skype users, now and then get odd messages…And when I started receiving several requests from ‘Generals’ to Skype them, it struck me as amusing and didn’t quite ring true. This led to the writing of a poem, which I hope will make you giggle or grin…

TO SKYPE OR NOT TO SKYPE, THAT IS THE QUESTION

The first message was explicit:
(I imagined him cock-sure and slick),
I giggled but quickly recovered,
got rid of him quick with a click.

I’m spoken for and happily married,
and let’s face it “over the hill…”
but it took me back decades of years,
provided an egotistical thrill.

‘Twas as if I’d sent out a photo,
doctored and faintly erotic:
where my boobs were “in place,”
and an unwrinkled face
suggested a jolly good frolic.

Dear reader I’m totally innocent,
except for writing on line;
don’t wear fancy drawers
(prefer metaphors)
although the thought was sublime.

These days my pleasures are simple:
coffee on patio, pastry snack,
hot chocolate at night,
a book and “to write,”
not gymnastics in bed on my back.

What triggered this poem you may wonder,
I’ll tell you the truth – it’s a fact,
in twenty-four hours
I was suddenly showered
by four Generals, a sir and a hack.

Of course most of “the others”
intentions were pure, white as snow,
but it’s safe to be wary
and quite necessary
for how is a woman to know?!