Words, Wonderful Words…

Trinity-College-Library-in-Dublin-1Every now and then I pontificate on the power and magic of words. Those twenty-six little letters have faithfully served us ever since “Adam” said Ugg to “Eve.” And, in what variety! True and Fairy tales… Sci-Fi and Paranormal, Murder and Mystery, Love and Romance, Historical, et al – all cater to different literary tastes.

Milne 3What led to writing today’s post was reading about Alan Alexander Milne and his Pooh stories. The House on Pooh Corner (1928), and Winnie the Pooh in particular. Without Milne, Pooh, Piglet, Tigger and the rest of the gang, would have been lost to so many fans. Christopher Robin, Pooh’s human companion, was named after Milne’s own son. Sadly, Christopher was not happy about his inescapable connection to the popular books as he grew older. Winnie the Pooh was based on his teddy bear. Also on his infant bed, were a stuffed piglet, a tiger, a pair of kangaroos and a downtrodden donkey. (Owl and Rabbit were added for good measure.) Hundred Acre Wood closely resembles Ashdown Forest near to Milne’s home.

Milne went to Cambridge University to study maths but focused on writing. He pursued a career as a writer and contributed many humorous pieces to Punch magazine, later becoming Assistant Editor at Punch in 1906. Having served in WW11, despite being a Pacifist, he suffered illness and was declared unfit for service at the front, going on to join a secret British Propaganda unit: M17b. He also turned to playwriting. Deemed successful, he changed Wind in the Willows into the acclaimed Toad at Toad Hall.

winnie 2It seems especially sad that Milne was estranged from his son, Christopher, who rarely saw his father, despite him having a stroke and spending his last few years in a wheelchair. He was ever conscious of his disliked association with the Pooh books. I feel it was his great loss.

When I read the Pooh books, way back, I knew nothing of their creator, but re-quoting some of the content, I can’t help thinking he was a man with his heart in the right place.

I had the warmest glow, when I read:

“My spelling is wobbly. It’s good spelling. But it wobbles and the letters get in the wrong places.”

And “A day without a friend is like a pot without a single drop of honey inside.” And

“I always get to where I’m going by walking away from where I have been.” And

“We’ll be friends forever, won’t we, Pooh?” asked Piglet.

“Even longer.” Pooh answered.

pooh and piglet 2And, this one made me cry…

“If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you.”

Thank you Mr. Milne. Very much!

 
Other books by AA Milne: When we Were very Young, Now we are Six, The World of Pooh Collection, The Complete Tales of Winnie the Pooh.

© Copyright Joy Lennick 2020

Let me tell you a story…

glasses-booksCommonly known in writing circles as a ‘hook,’ a lot has been said over the years about the opening sentence, or two, of a tale. It’s common sense to try and grab a reader asap, be it with something dramatic, curious, unusual or quirky. Not all writers do, of course. I’ve read some bland opening sentences over the years and yet – reading deeper – some books have ‘delivered’ more than promised. It is, nevertheless, a good idea to give careful thought to those first words which confront you when you open the cover. As I always have piles of read and unread books everywhere…I picked five at random and checked them out.

The first one: Kate Granville’s The Lieutenant began: ‘Daniel Rooke was quiet, moody, a man of few words.’ Pretty Girl in Crimson Rose (8) by Sandy Balfour, simply said: ‘Let me take you back to December, 1983.’ Both openings were an invitation: to know more about the ‘quiet, moody, man’ in the first instance, and a direct request to return to December, 1983 in the second. So, both subtle hooks… The third book, called The Seed Collectors by Scarlet Thomas starts: ‘Imagine a tree that can walk. Yes, actually walk. Think it’s impossible? You’re wrong.’ The fourth book titled Amsterdam, written by Ian McEwan, begins: ‘Two former lovers of Molly Lane stood waiting outside the crematorium chapel with their backs to the February chill.’ Both openings intrigue. A tree that can walk? And who was Molly Lane? None of the authors are amateurs. They knew what they were writing.

The fifth and final book, a favourite by Carlos Ruiz Zafon The Shadow of the Wind states: ‘I still remember the day my father took me to the Cemetery of Forgotten Books for the first time.’ Another interesting, mind-winding opening.

Fast-forwarding to Writers’ Ink member, Nigel Grundey’s, latest novel, The Vienna Connection, let’s see what his hook is…Take his first paragraph; ‘Can we trust the messenger?’ asked Harry Ward slowly as the tall Warrant Officer scratched at a scar on his cheek, then returned the hand-written note to his commanding officer. ‘What it says is believable, because the Nazis broadcast their plans for Rome and Paris before liberation. But why wait until now to reveal the details?’ Again, intriguing.

Some more examples of great openings here www.dailywritingtips.com

It’s great fun this writing lark, plotting and planning…

 

© Joy Lennick 2018