Let me tell you a story…

glasses-booksCommonly known in writing circles as a ‘hook,’ a lot has been said over the years about the opening sentence, or two, of a tale. It’s common sense to try and grab a reader asap, be it with something dramatic, curious, unusual or quirky. Not all writers do, of course. I’ve read some bland opening sentences over the years and yet – reading deeper – some books have ‘delivered’ more than promised. It is, nevertheless, a good idea to give careful thought to those first words which confront you when you open the cover. As I always have piles of read and unread books everywhere…I picked five at random and checked them out.

The first one: Kate Granville’s The Lieutenant began: ‘Daniel Rooke was quiet, moody, a man of few words.’ Pretty Girl in Crimson Rose (8) by Sandy Balfour, simply said: ‘Let me take you back to December, 1983.’ Both openings were an invitation: to know more about the ‘quiet, moody, man’ in the first instance, and a direct request to return to December, 1983 in the second. So, both subtle hooks… The third book, called The Seed Collectors by Scarlet Thomas starts: ‘Imagine a tree that can walk. Yes, actually walk. Think it’s impossible? You’re wrong.’ The fourth book titled Amsterdam, written by Ian McEwan, begins: ‘Two former lovers of Molly Lane stood waiting outside the crematorium chapel with their backs to the February chill.’ Both openings intrigue. A tree that can walk? And who was Molly Lane? None of the authors are amateurs. They knew what they were writing.

The fifth and final book, a favourite by Carlos Ruiz Zafon The Shadow of the Wind states: ‘I still remember the day my father took me to the Cemetery of Forgotten Books for the first time.’ Another interesting, mind-winding opening.

Fast-forwarding to Writers’ Ink member, Nigel Grundey’s, latest novel, The Vienna Connection, let’s see what his hook is…Take his first paragraph; ‘Can we trust the messenger?’ asked Harry Ward slowly as the tall Warrant Officer scratched at a scar on his cheek, then returned the hand-written note to his commanding officer. ‘What it says is believable, because the Nazis broadcast their plans for Rome and Paris before liberation. But why wait until now to reveal the details?’ Again, intriguing.

Some more examples of great openings here www.dailywritingtips.com

It’s great fun this writing lark, plotting and planning…

 

© Joy Lennick 2018

 

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Bella Italia

VeniceThe first introductory ‘Whistle Stop Tour’ of Italy’s most famous cities almost scrambled my brains. Oh the majesty of Venice! To see painter Canaletto’s (little canal) print of the Piazzetta on the wall of my childhood home become a reality before my eyes, was a joy; and as we alighted the ferry, was that Vivaldi’s music I could hear?! There is a magic veiling Venice which delights. Were we really walking across the vast Piazza San Marco, gazing at St. Mark’s Campanile, and the Doge’s Palace? Alas, there is only room for a thumb-print.

Travelling through Italy’s verdant countryside, with the divine voices of Pavarotti, Carreras and Domingo (radio-borne), we were charmed by the terracotta roofs dotting the horizon, the abundant flowers and the adjective-begging scenery passing our window.

Trevi fountainIt seems almost criminal not to give a brief description of Assissi, but we were impressed. Next stop, Rome. Hardly a place you could ignore – from the vastness of St. Peter’s Square, the grandeur of The Vatican, the incredible Sistine chapel, to the many churches and museums. Our brains were in danger of over-load…

We next added our coins to the three offered in the film to the Trevi Fountain; stood in the Coliseum: which seemed steeped in death, and from where I escaped asap!

Via the town of Pisa, with its famous leaning tower (yes we had our photo taken holding it up!) we arrived in Florence – ‘Cradle of Renaissance’ – wondered at The Diomo (cathedral) Santa Maria del Fiore, and the quaintness of the Ponte Vecchio, shop-bearing bridge straddling the river Arno. Yet another jewel in Italy’s impressive tiara. Satiated by so much antiquity, we longed for the following week’s calmer atmosphere.

ponte-vecchio-masseffect84_wp6_9366Catching us by surprise – inducing a coach-load of travellers to catch their collective breath – the town of Riva suddenly lay at our feet: the sparkling waters of Lake Garda lapping the hem of its skirt. Praises buzzed in the air like bees¸ smiles inhabited faces. We were in thrall of its beauty and had surely found a little piece of heaven! As recorded by murals and mosaics, ancient Romans visited this lovely haven. No fools they! Elongated Lake Garda sits grandly in the north eastern part of Italy, surrounded by towering cliffs and mountains with abundant vegetation; saucer-like, creamy magnolias growing on its slopes. Every day, around late morning, a determined wind whipped up the lake water. Cue wind-surfers, who appeared like water-borne butterflies. Later, fun over, they disappeared as the wind dropped, leaving the lake serene.

lake-garda-istockOut hotel – more than we had hoped for after the basic fare of our first week’s tour – was delightful, with ‘silver service’ at our elbows. (It was, after all, a reasonably priced package holiday.) The service was impeccable, the food delicious, and the waiters handsome… As in Spain, the pleasing Passeggiata – promenading – was popular with local families: the praiseworthy public gardens the venue. Riva has a tranquil, refined air, the inhabitants mostly elegant Italians. The shops and produce were a delight, and the restaurants and cafes had me purring like a spoiled cat. As for the rest rooms – there were ‘state of the art’ loos in Riva – self-flushing, and taps which turned themselves magically on.

So, what did we do in Riva? We explored, admired, laughed a lot, ate a lot…fortunately walked a fair mile or so…and ferry-chugged across the satin-like waters of the lake to sup coffee and eat delicious pastries in a minimalist café on the far shore. Exploring the many small towns and hamlets peppering Lake Garda’s banks was a must (a bus hugs its contours). The narrow, medieval, cobbled streets come alive as I recall the charms of Sirmione and Malcesine; and in Desenzano there is a castle and grounds where outdoor concerts are held. A trip to pristine, pretty Gardone, pleased, and a day in buzzing Verona: “Wherefore art thou Romeo” intrigued. An aged edifice boasted a painted fresco: a faded scene, in part depicting the devil prodding his fork into the ample posterior of a well-endowed maiden, bawdy enough to bring a blush to a Nun’s cheek.

Ah, Bella Italia, you made my heart sing!

 

© Joy Lennick 2018

© All photographs are copyright of the respective photographers

 

 

Smorgasbord Blog Magazine – Open House Sunday Interview – Author Joy Lennick

Sally Cronin is an absolute gem. Heartfelt thanks for the ‘airing’ ally. xx

Smorgasbord - Variety is the spice of life

Please welcome my guest this week, author Joy Lennick who shares her love of the 20th century, her adventures she has encountered during her 30 years as an author, her favourite colour and music.

Before we find out more… a little bit about Joy.

About Joy Lennick

Having worn several hats in my life: wife, mum, secretary, shop-keeper, hotelier; my favourite is the multi-coloured author’s creation. I am an eclectic writer: diary, articles, poetry, short stories and five books. Two books were factual, the third as biographer: HURRICANE HALSEY (a true sea adventure), fourth my Memoir MY GENTLE WAR and my current faction novel is THE CATALYST. Plenty more simmering…

Supposedly ‘Retired,’ I now live in Spain with my husband and have three great sons.

Given a choice of centuries to live in which would it be and why?

As I’m fascinated by Georgian architecture and dress, plus something indefinable…

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Making The Most of Reading

I agree with this article wholeheartedly and am passionate
about the written word (reading and writing!) If only more people who say ‘oh, I don’t read…’ would give it a chance…They don’t know what pleasures they’re missing!

Richie Billing

If you happen to enjoy this article, why not stay in touch by signing up to my mailing list? Subscribers receive a list of 50 fantasy book reviewers, as well as a copy of This Craft We Call Writing: Volume One, a collection of writing techniques, advice, and guides looking at, amongst others, world-building, writing fight scenes, characterisation, plotting, editing and prose.


“If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.”

You’ve probably read this Stephen King quote at some point in your writing career. It’s not a bad bit of advice.

Reading is an important way for a writer to learn the craft. Much of what I’ve picked up has come from seeing how others do things. This article shares some techniques I’ve found helpful to get the most out of reading.

Make time

Life is incessant…

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On characterization

Just think what we would have missed without the rich, apt, quirky characters of so many worthy authors. Of course, everyone has their favourites, but for me, Dickens is squarely in the spotlight for such a wealth of them. The sad but brave Tiny Tim, put-upon Oliver, the evil while wonderful, avaricious Fagin; doomed Miss Havisham and David Copperfield. Then there’s the resilient, long-suffering Jane Eyre from Charlotte Bronte’s pen, Atticus Finch from To Kill a Mockingbird – who epitomized the good in man, and countless more noteworthy fictional human beings, enough to fill a large tome.

OliverOnce you have your story/plot figured out, how interesting it can be to people your work with characters. One of the many joys of writing, is the freedom it gives you to do – within reason – whatever you like. Most authors will have a pretty good idea of the genre of their book, and of the beginning, middle and end. Not all though. I’ve read of some writers who only have a rough plan and let their characters pave the path forward. You can read a plethora of ‘how to’ books, some with similar advice, some with original ideas, but, when it comes to YOU as author, the words will emerge from YOUR mind, which – remember, is totally unique.
Over the years, I’ve attended one or two writing groups where a few of the members have had only the woolliest ideas of how to write a novel, and our very intelligent, experienced teacher of one, tried guiding them in the right direction. One man was hung up on sex and paid little attention to characterization; he didn’t stay the course. Another, a sweet-natured woman, wrote a thick book wherein the sun always shone, everyone had irreproachable manners and the characters wouldn’t say boo to a goose. When gently criticized, she lost her temper and departed. Fortunately, most serious writers want to learn, and while I’m ‘rich in years,’ I know that the more I absorb, the more there is to learn….and that’s part of the joy of writing. Curiosity usually pays off, if it doesn’t polish you off….If you push yourself beyond your self-imposed limitations, you’ll doubtless improve. While, self-satisfied writers, I’m sure, are two a penny, serious writers should always strive to better themselves and give due attention to all aspects of their work, from the story-line/plot -. which is vital – to characterization, which could put YOUR book up there with the greats.

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Making Christmas Memories

Lovely memories and so they continue….

Darlene Foster's Blog


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I have  many wonderful memories of Christmas growing up. It doesn’t surprise me that many of them have to do with my grandma. She had many grandchildren but always made sure I got something special under the tree. She gave me my first stamp album, books I treasured and even my first Elvis Presley album! Christmas dinners at grandma’s place was special.  Her small house brimmed over with aunts, uncles and cousins. The meal would be delicious with special treats we only got at Christmas time. Grandma provided these treasured memories that always return at this time of the year.  I don’t think I ever told her how much they meant to me.

My 4 grandchildren and 2 great grandchildren live in another province so I don’t see them as often as I would like. I’ve only spent a few Christmases with them over the years. Every year I enjoy…

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A labyrinth of meanings…

labyrinthEvery now and again, most writers come across – or have a fascination for – . a word which either has contrary meanings or some peculiar draw, don’t they? My word of the moment (and for a while now), is labyrinth. I’ve used it several times and thought I knew what it meant. Wrong! Well, it wasn’t completely incorrect, as many other writers have used it in the same way…I’ll explain… (Have your cocoa and slippers ready…)

Labyrinth is defined as meaning “A complicated, irregular network of passages or paths, in which it is difficult to find ones way.” Or “A complex structure of the inner ear.” (While, of course, interesting to anyone with ear problems, I’ll respectfully put the second definition to one side.) The Cambridge English dictionary, however, defines the meaning as being a tad different (and an aid to pen chewing scribblers, or unsure key tappers) It’s added boardwalk, esplanade, pavement and bridle path, etc., And, in Greek mythology, a labyrinthine structure was built underground to house and confine a monster with the head of a bull and the body of a man called a Minotaur, belonging to King Minos of Crete. (Although why he couldn’t have purchased a Persian Blue feline or a Cocker Spaniel, from the local pet-shop, goodness only knows…) Some people do like to muddy history, don’t they?!

I digress…The first time I used the word labyrinth. I was writing about Dylan Thomas and Laugharne, where he compòsed Under Milk Wood and a whole raft of poems. Being half Welsh, I was on yet another trip to one of my favourite places in Wales: the third. The sun had shone on all three occasions, which was noteworthy in itself…It was Spring, tra la, and the synonymous daffodils were nodding approval, lighting the edge of the estuary like a stage-set. My imagination was way ahead of me, as I walked up the steep – wait for it – “labyrinthine path, under a dense, and untidy umbrella of green foliage – darkly mysterious while beckoning…” Suddenly inspired, the story/novel was to be called The Herons of Laugharne and I even had them (the herons) “picking their delicate way across the shallow waters like corn-footed ballerinas” I had , roughly, mentally written the first chapter before I reached the top of the labyrinth…Sadly, it’s still lurking somewhere between other, forlorn, quarter/half-finished attempts…Hey ho.

Being satiated by everything Dylan – from the modest shed in which he slouched over lines of poetry for days, his trusty whisky bottle rarely far away, to the Boat House where he lived with his wife Caitlin. I moved on. I did wonder what else he could have written had he not succumbed to the ‘devil drink,’ dying at the early age of 39 after downing around ‘13’ shots of the hard stuff ’ in New York city, but he left us some memorable lines and characters. How, once read, could you forget the words

“Do not go gentle in that good night.

Old age should burn and rave at close of day.

Rage, rage against the dying of the light.”

 

One, WONDERFUL, book which did, most deservedly, see the light of day, written by Carlos Ruiz Zafon, is called THE SHADOW OF THE WIND, and – if you haven’t read it, please do. A man in Spain, who had inherited a book-shop from his father specializing in rare, collector’s editions and secondhand books, took his young son to the: ‘Cemetery of Forgotten Books’ and bade him choose any one from the thousands secreted there. “Pleased with my choice, I tucked it under my arm and retraced my steps through the LABYRINTH , a smile on my lips.” That word again. Zafon’s writing is an absolute delight, his characterisation memorable. Anyone who writes: “…a waiter of such remarkable decrepitude that he looked as if he should be declared a national landmark.” And “The man’s oratory could kill flies in mid-air.” passes muster with me. As time passes and the young lad grows up, people seem to find ‘the book’ inordinately interesting, and literary curiosity becomes a race to discover the truth behind the life and death of the author: Julian Carax, and to save those he left behind.

As the Observer observed: “The language purrs along. While the plot twists and unravels with a languid grace.” And Stephen King said: “…a novel full of cheesy splendour and creaking trapdoors, a novel where even the subplots have subplots…one gorgeous read!” There’s not much I can add to that.

 

© Joy Lennick 2017